What values do you wish to convey through the episodes of Miraculous?
Mélanie DUVAL. – We are sensitive to the impact of pop culture on young people. We are very careful not to show things that could have a bad influence on their imagination in the series. I remember having hated this figure given here or there to the class-nerd abused by his comrades. In Miraculous, we have the sportsman, the intellectual, the good girlfriend, the plague… But no one is mistreated. We show a kind of ideal where the big sporty can be the best friend of the intellectual. And in the face of a negative character like Chloe, the question is not going to be how to make her nice, but rather how to react to her. Her girlfriend Sabrina is abused but she did not say her last word.
Thomas ASTRUC. – This degree of submission to the wrong person is something that one has to deal with. But to achieve this, we must first establish the basics and show the facts and behaviors. Sabrina’s problem requires time to be effectively settled.
Frédéric LENOIR. – If you approach and solve a problem too quickly, you may treat it too mechanically and theoretically. Our principle is to approach each theme in a constructive and rewarding way. We go over what we should not do because we believe strongly in what to do. Our characters also believe in it. We always try to go to the light.
Sebastien THIBAUDEAU. – We are careful to show things that are right, to convey good values and this leads us to have long philosophical debates during our writing workshops. You can spend a whole day thinking about the meaning of an episode. When we meet parents who tell us that what we tell their child is good, we are really flattered.